Tresacquiro

TresFastAudioMaster

400 tracks in. The weekend stays yours.

Separating one track is easy. Separating a library is a weekend you are not getting back. Point this at the folder and go to bed.

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How it works

Folders, drives, network shares

Point it anywhere. It works through every track without you sitting there.

Tempo and key in the tags

Camelot too. Nothing to re-analyse after the fact — Rekordbox and Serato pick them up the moment you import.

Resumes where it stopped

An interrupted run picks up rather than starting over. Nothing is done twice.

Fails in four seconds, not four hours

Disk, models and drives are checked before a long job starts.

One mixed track separated into a vocal stem and an instrumental stem A single mixed waveform at the top. Below it the same performance shown twice: a vocal stem that sounds only in phrases, with silence between them, and a continuous instrumental stem. Both stems line up in time with the mix above. ONE FILE IN mix — vocal and backing together TWO FILES OUT [vocals] — phrases, with the breaths left in [instrumental] — continuous, the vocal removed
The same performance three times, lined up in time. The vocal stem is silent between phrases because the vocal is.

$24 once

  • Windows today
  • Nothing uploaded
  • No per-track fees
  • Two machines

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OP.STEM.BATCHMODEL.MBR.MITD:\Music\Dancehall
✓Chaka Demus & Pliers - Murder She Wrote[vocals][instrumental]98 BPM8A
✓Mr Vegas - Heads High[vocals][instrumental]96 BPM11B
✓Beenie Man - Who Am I[vocals][instrumental]94 BPM5A
✓Spragga Benz - Pull[vocals][instrumental]97 BPM8A
▶Sean Paul - Gimme The Lightseparating
Elephant Man - Pon De River · Wayne Wonder - No Letting Go · Buju Banton - Champion · Baby Cham - Ghetto Story — queued
147 of 400 done · running 4h 12m · resumes if interrupted

What you receive

Not a pile of files called output_1.wav. 320 kbps, named the way your collection is already named, with tempo and key written into the tags so Rekordbox and Serato pick them up the moment you import.

Artist - Title [vocals].mp3
Artist - Title [instrumental].mp3

A folder in, named and tagged stems out On the left, a folder of 412 mixed audio files with inconsistent names. In the middle, an unattended batch process. On the right, the same tracks separated into files named Artist - Title [vocals].mp3 and [instrumental].mp3, each carrying tempo, key and Camelot tags. WHAT YOU HAVE 01 track.wav final_MASTER_2.mp3 Untitled-3.wav riddim (1).mp3 audio_export.wav 412 files — 22 hours UNATTENDED SEPARATE WHAT YOU GET Artist - Title [vocals].mp3 [instrumental].mp3 Artist - Title 2 [vocals].mp3 [instrumental].mp3 BPM 102 — KEY Fm — CAMELOT 4A 320 kbps — tags written — no renaming
The model doing the separation is free and open, and we say which one it is. What a licence buys is the left column becoming the right one while you are not at the desk.

Measured, not claimed

Almost every separator claims studio quality. Almost none says what it was measured against. Ours was tested on a dancehall riddim, where the official instrumental exists and can be used as the answer sheet.

5×

less of what should not be there than leaving the track alone

0.04

of the backing track left in the vocal, where 1.0 would be all of it

44

voiced tracks measured against one official instrumental

One riddim, one official instrumental, 44 tracks. That is the method and the baseline, and it does not prove anything about a genre it was not run on.

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